Friday, July 6, 2012 | By: GirlsWannaRead

Hemingway's Boat - Paul Hendrickson


     Those who follow this blog know that I'm a Hemingway fan.  Countless biographies of "Papa" have been written over the years but the most recent one looks at Hemingway's life from a new angle.  Paul Hendrickson's Hemingway's Boat:  Everything He Loved In Life And Lost, 1934-1961 covers the final 27 years of the writer's life and focuses on his beloved boat, Pilar, the one constant during this period.
     Pilar, purchased after the publication of The Sun Also Rises and A Farewell to Arms, became the writer's sanctuary.  It was a place to escape from literary criticism, the pain of failed marriages, and the stings of failed friendships.  Aboard the Pilar he entertained celebrities, relaxed with his children, caught prize fish, and, of course, drank heavily.  In following Hemingway through the years spent on Pilar, Hendrickson's biography also includes the other lives that weave in and out as well which serves to make "Papa" more human.  The portrait that emerges is much more sympathetic that many of the past biographies.

"In my opinion, too many previous Hemingway biographers and scholars have gleefully wished to point out so many of the toxic things that Hemingway did," Hendrickson said. "But one of the points I try to make is that, yes, without question he could be appalling to other people but ... there was this other side of him, this decent side that could come out instantly."

I found it thoroughly engaging and hard to put down.  If you're a Hemingway fan, you must read it; if you're not, this read might change your mind.


     On a related topic, a Hemingway Look-Alike Contest is held every year at Sloppy Joe's Bar in Key West.  This year, the request of a three-time competitor has captured the attention of The Guardian.  Read about it here.

Waxing Poetic: I Go Back To The House For A Book by Billy Collins

I Go Back To The House For A Book
I turn around on the gravel
and go back to the house for a book,
something to read at the doctor's office,
and while I am inside, running the finger
of inquisition along a shelf,
another me that did not bother
to go back to the house for a book
heads out on his own,
rolls down the driveway,
and swings left toward town,
a ghost in his ghost car,
another knot in the string of time,
a good three minutes ahead of me —
a spacing that will now continue
for the rest of my life.

Sometimes I think I see him
a few people in front of me on a line
or getting up from a table
to leave the restaurant just before I do,
slipping into his coat on the way out the door.
But there is no catching him,
no way to slow him down
and put us back in synch,
unless one day he decides to go back
to the house for something,
but I cannot imagine
for the life of me what that might be.

He is out there always before me,
blazing my trail, invisible scout,
hound that pulls me along,
shade I am doomed to follow,
my perfect double,
only bumped an inch into the future,
and not nearly as well-versed as I
in the love poems of Ovid —
I who went back to the house
that fateful winter morning and got the book.
Thursday, July 5, 2012 | By: GirlsWannaRead

Book to Box Office


     With two film versions of classic novels due to premiere later this year - Tolstoy's Anna Karenina and Fitzgerald's The Great Gatsby - my thoughts have turned to other books that have been adapted for the "big screen."  I always await them with apprehension and harbor a secret fear that they will disappoint me.  Some have been beautifully faithful to the text, others haven't, and sometimes (I hate to admit it) it doesn't matter.
     Here's a list of best, worst, etc. from the past:

  • A Movie That Was a Perfect Adaptation of a NovelRebecca - with Joan Fontaine, Laurence Olivier, and Judith Anderson as Mrs. Danvers 
  • A Favorite Movie Version of a Book That Has Been Done Multiple TimesJane Eyre - with William Hurt as Rochester and Charlotte Gainsbourg as Jane  
  • Two Movie Versions That Are Equally Great in Their Own WayThe Innocents (a version of the Turn of the Screw) starring Deborah Kerr and The Turn of the Screw starring Jodhi May 

    Wednesday, July 4, 2012 | By: GirlsWannaRead

    Best Books of the 2012 (So Far)

    We're halfway through the year, so it's time to look back on 2012's reads so far and list favorites:


    The End of the Affair - Graham Greene:  Loved this!  Set in London during and just after World War II, the novel examines the obsessions, jealousy and discernments within the relationships between three central characters: writer Maurice Bendrix; Sarah Miles; and her husband, civil servant Henry Miles.





    The English Patient - Michael Ondaatje:  Again, set during World War II.  The story deals with the gradually revealed histories of a critically burned English accented Hungarian man, his Canadian nurse, a Canadian-Italian thief, and an Indian sapper in the British Army as they live out the end of World War II in an Italian villa.



      

    The Painted Veil - W. Somerset Maugham:  Maugham is one of my favorite writers.  This is set in England and Hong Kong in the 1920s and is the story of the beautiful but shallow young Kitty Fane. When her husband discovers her adulterous affair, he forces her to accompany him to a remote region of China ravaged by a cholera epidemic.





     
    Consequences of the Heart - Peter Cunningham:  Wonderfully engaging.  A love story, a war story, a thriller, and a generational story of two Irish families.








    Old School - Tobias Wolff:  Prep school, literary contests, famous writers - this is a book for book lovers and would-be writers!  Set in the early 1960s and narrated by the unnamed protagonist from the vantage point of adulthood, a scholarship boy at a New England prep school grapples with literary ambition and insecurity.








    The Traveler - Antal Szerb: More Hungarian authors! I loved the two Dezso Kosztolanyi novels I read last year, but The Traveler tops them both. What's not to like? A honeymoon in Italy, a secret past, a missing childhood friend - I could not stop reading and cannot wait to find a copy of Szerb's Journey by Moonlight.





     
    The Woman in White - Wilkie Collins: My first Wilkie Collins and, so far, my favorite. This is a perfect mystery!









    Lorna Doone - R. D. Blackmore: I finally read this novel after watching the 2001 film dozens of times. It's enormous and thankfully so. Blackmore managed to draw out the drama of Lorna Doone's life without once losing my interest.








    The Picture of Dorian Gray - Oscar Wilde: It's hard to believe, but I had not read Dorian Gray before this year. That was my loss, really. I love this story (I have seen the 1945 film - featuring this painting - many, many times), and the end will never cease to surprise and shock me.







    Piccadilly Jim - P. G. Wodehouse: I have previously read a few Jeeves and Wooster tales and Leave It to Psmith, but Piccadilly Jim is currently my favorite Wodehouse novel. There is Wodehouse's typical mistaken/false identity surrounding the character of Jimmy Crocker and convoluted plots for revenge. It is filled with witty scenes and a brilliant character in Ann Chester.

    Bookish Quotes #44

    “The book can produce an addiction as fierce as heroin or nicotine, forcing us to spend much of our lives, like junkies, in book shops and libraries, those literary counterparts to the opium den.”
    ~ Philip Adams

     “Life is limited, but by writing, and reading, we can live in different worlds, get inside the skins and minds of other people, and, in this way, push out the boundaries of our own lives.”
    ~ Joan Lingard
    Monday, July 2, 2012 | By: GirlsWannaRead

    Frenchman's Creek - Daphne du Maurier


         There are some books that I return to again and again.  Frenchman's Creek is one of the books I re-read often.  Recently, it began to call to me once more and for the umpteenth time I was happily lost in its magic.
         First, it is wonderfully written as are all of du Maurier's novels.  She begins by drawing the reader into the atmosphere of the Cornish coast with vivid description and beautiful prose:

    When the east wind blows up Helford River the shining waters become troubled and disturbed and the little waves beat angrily upon the sandy shores.  The short seas break above the bar at ebb-tide, and the waders fly inland to the mud-flats, their wings skimming the surface, and calling to one another as they go.  Only the gulls remain, wheeling and crying above the foam, diving now and again in search of food, their grey feathers glistening with the salt spray.

    It has a rich cinematic quality to it (in fact, it has been adapted for the screen twice) and the sea and the countryside are "characters" in the novel as much as Dona and her Frenchman.
         A few months short of her thirtieth birthday, Lady Dona St. Columb is bored with her bumbling husband, stifled by the restrictions of seventeenth century London, and exasperated with the frivolity of her life.  She takes her two children and flees to Navron, the house where her husband grew up, in order to find peace.  But when she arrives, she finds the house inhabited by a lone servant, William, and the coast plagued by a marauding crew of pirates.  William quickly and accurately appraises Dona and tells her she is "a fugitive from your London self and Navron is your sanctuary."  A deep understanding and friendship develops between them with William supporting and assisting her in her escape from her former life.  But William, a memorable and loveable character, turns out to be in league with the pirates.
         Dona stumbles upon the pirate ship, La Mouette, anchored in the creek on Navron land and is brought aboard.  The Frenchman, Jean Benoit Aubery, is not what she expects.  He is much more of a gentleman than a savage and spends his time drawing birds and reading poetry.  As he explains:

    There are no dark problems about it. I have no grudge against society, no bitter hatred of my fellow-men. It just happens that the problems of piracy interest me, suit my particular bent of thought.

    She finds in him a kindred spirit and a fellow escapee from the restraints of conventional society.  He sees her as more than just the Lady St. Columb and, unlike her husband, understands her.  Of course, she falls in love with him. But this is not a bodice-ripping pirate romance novel.  Written in 1941, the physical side of their love in mostly hinted at and their relationship is revealed mainly in the witty, clever, sexy dialog they banter back and forth.
         Disguised as a cabin-boy, Dona joins the Frenchman in one of his escapes and finds herself involved in piracy against her neighbors.  She sails away with Jean Benoit and his crew for a wonderfully liberating week and returns to find that her husband has come to Navron to help capture the pirate.  Her collaboration with the pirate is soon disrupted when he is caught and she must scheme to free him.
         Frenchman's Creek is above all a story of self-discovery.  Dona must learn the distinction between happiness and contentment.  The Frenchman is aware of the difference and explains it to Dona.  Happiness, he says, is "elusive, coming maybe once in a lifetime", and not a continuous thing. Happiness has degrees, however, and for a man "happiness tends to come from things achieved". Contentment, on the other hand, is "a state of mind and body when the two work in harmony, and there is no friction. The mind is at peace and the body is also."
         The difficulty for Dona, as William explains to her, is that the Frenchman's ship is his castle; that he comes and goes as he pleases, and dislikes a lifestyle that leads to habits and customs - fearful that it will kill all spontaneity; "he is without ties, without man-mad principles;" he is truly free. Dona, who initially wishes for the very same thing becomes aware that the options for a woman are very different than those for a man.  The Frenchman feels the strong pull of the sea but Dona, as a mother, feels the pull of her children just as strongly.  After experiencing true happiness, she must make a difficult choice.
         But, above all,  Frenchman's Creek is about the desire to escape and the perfect novel to lose yourself in when you want to get away from it all.  Pirates...Frenchmen...Swashbuckling...Breathtaking Romance - curl up and lose yourself on the Cornish coast!